Counting Backwards #8
Thursday 2nd June, 8 - 11pm
- Matt Dalby
- Gary Fisher
- Noise Research
FUEL, 448 Wilmslow Road, Manchester M20 3BW
via The Other Room
Thursday 2nd June, 8 - 11pm
FUEL, 448 Wilmslow Road, Manchester M20 3BW
via The Other Room
£3, Department, Feb 2011
The poetry of Department is poetry that is not content to inhabit “the poetic” (aesthetically elevated spiritualised leisure activity): that with the force of its own intensities & in-densities moves ‘out’ on to the street, moves among political spaces (complicating – & analysing complicities – all distinctions between public & private worlds), & lives in the overlap between sound & discourse, music & information. Department poetry is non-departmental poetry. It does not refuse formal exactness (though it troubles a certain ideology of forms as Universals), but it does refuse constraint; it troubles order to deny all attempts at a control order for poetry (know your place). These principles underlie the practice of Department issue #3. & will underlie the practice of future issues.
Featuring:
Now available to view in Online > ePubs, featuring:
Plus a set of regular new features:
Available in full-colour PDF or an easy-to-print black and white version.
Counting Backwards is a new series of text-sound-performance events. It takes place on the first Thursday of alternate months. Counting Backwards takes place at Fuel cafe bar in Withington. The first event is on Thursday 3 June 2010.
Counting Backwards takes as it’s starting point contemporary text-sound practices that question semantics and received traditions and emphasise performability.
The focus is on the exploration of new or unconventional techniques.
A new blog and event series run by Richard Barrett, Matt Dalby and Gary Fisher.
Tuesday 13th April, 7pm
The Crescent Pub, 20 The Crescent, Salford, Lancashire M5 4PF
£5 + £0.75 P&P (via PayPal), The Other Room, 2010
View free sample.
Featuring:
via The Other Room
A new issue of Ekleksographia online magazine, ‘William Blake and the Naked Teaparty,’ guest edited by Philip Davenport.
This issue features textworks that emphasise the touch - handwrit and haptic – particularly pieces that consider emotional engagements, human space - that weird trace and corporate/military erasure of the handmade, the human touch, the not-digital. These qualities link into the alternative tradition of poetics - and to 'outsider' artists who are owed a debt by the experimenters (an IOU all the way back to Will Blake, he and the Mrs sitting on the lawn in London afternoons, naked, drinking tea).
Contributors:
The issue goes online 15th March 2010 and will be launched with a 24 ‘live’ online writing event by Sarah Saunders.
The Series Editor is Jesse Glass.