Sean Bonney at Prague Microfestival
Video of Sean Bonney reading at the Prague Microfestival, May 2011.
Video of Sean Bonney reading at the Prague Microfestival, May 2011.
Thursday 2nd - Saturday 4th June 2011
2nd June
3rd June
4th June
All Saturday in Salem Chapel proper, Elysium Gallery in collaboration with Hay Poetry Jamboree presents Bus Stop Cinema - a festival of short films.
Oriel Gallery of Contemporary Arts, Salem Chapel, Bell Bank, Hay on Wye
Admission £5 / £3 (conc.) (for events at starting at 7.30pm)
Admission is free to all other events.
Saturday 26th March, 2pm
As well as the below, Sean Bonney and Nat Raha will be reading, amongst others:
TURN BHS into an ARTSpace
ART: THEATRE: POETRY: SPOKEN WORD: INTERACTIVE: LIVE MUSIC: COLOURING IN ...with UK Uncut and Art Uncut... 2-3.30pm
Actors Sam and Timothy West will perform together and help transform BHS into an artspace.
They will be joined by musicians and performers and a ukelele or two; with contributions from writers and theatre makers Stella Duffy, Chris Thorpe, Andy Field (Forest Fringe), Matthew David Scott, Alan Lane of Slunglow Theatre, Lisa Cagnacci... (more names tba)
There will be a performance by Aliki Chapple - of a play from Theatre Uncut, performance lectures, one-to-one encounters, poetry, painting, drawing and dancing...
AND there is still space to contribute your material - if you'd like to contribute - please contact ukuncut@gmail.com with 'BHS Arts' in the subject heading...and bring your own art/instruments/drums on the day...
Be inside BHS near to the Oxford Street doors before 2pm. The signal will be 'an audience member' hushing... (join in) ready for curtain up at 2:01.
BHS, Oxford Street, London
Sous Les Pavés III includes work by:
Sous Les Pavés is a free bi-monthly publication distributed by mailing list only. Out-of-print issues can be read, downloaded and printed for free at the Sous Les Pavés website.
Tuesday 15th March, 7.30pm
The Lamb, 94 Lamb's Conduit Street, WC1
Admission £5 / £3 (conc.)
LATE NOTICE Friday 4th March, 7pm
Sean Bonney talk on Art in Revolution:
Like social life itself, artistic work goes into convulsions when it enters revolutionary periods. As an example of this process, I’d like to offer a lecture on the breakdowns between boundaries between artforms in the early years of the Russian Revolution /// talking about poets like Khlebnikov and Mayakovsky, about filmmakers like Eisenenstein, composers like Avraamov (if possible I’d like to play a recording of his Symphony of Sirens at massive volume) /// and talking about them as an example of how avant-garde art can become revolutionary (& contribute to social revolution) with absolutely no compromise in its complexity etc.
This wouldn’t be a simple historical lecture – I’d be talking about these artists as a way for us to think about how we as artists (& in particular experimental artists) can be contributing to the struggles we are all engaged in right now.
The Hand and Racquet Public House, 48 Whitcomb Street, London WC2H 7HA
Wednesday 2nd March, 6 - 7pm
Clephan Building, Rooms 2.32/2.33, De Montfort University, The Gateway, Leicester LE1 9BH
Admission is free but booking is required.Contact Steven Fowler for more information.
Veer About 2010-2011 has been specifically designed as an online publication with fully clickable contents page, while also utilising the pdf format to embed video, audio and visual work, in addition to text.
Available as a free download from Intercapillary Space.
Edited by Adrian Clarke and William Rowe.
Featuring:
Corrected spelling of Rosa van Hensbergen.
An interview with Sean Bonney by The Literateur:
But it’s true there is a very real resistance to complex poetry, and it’s strange because people don’t have the same problems with music, or the visual arts, or film or whatever... Poetry, or at least the areas of it that I’m interested in, is always going to [be] difficult because it’s consciously focussing on language as the medium people exist within and understand the world through – a medium that’s usually only used for information, instructions, commands and so on. It’s probably the most alienating of the artforms. Great. I’m happy with that.