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Entries in Sascha Akhtar (2)

Monday
Mar082010

Infinite Difference: Other Poetries by UK Women Poets

An anthology of radical new women's poetry from the UK, featuring work by: Sascha Akhtar, Isobel Armstrong, Caroline Bergvall, Elisabeth Bletsoe, Anne Blonstein, Andrea Brady, Emily Critchley, Claire Crowther, Carrie Etter, Catherine Hales, Frances Kruk, Rachel Lehrman, Sophie Mayer, Marianne Morris, Wendy Mulford, Redell Olsen, Frances Presley, Anna Reckin, Carlyle Reedy, Denise Riley, Sophie Robinson, Lucy Sheerman, Zoë Skoulding, Harriet Tarlo, Carol Watts.

£12.95 / $20, ed. Carrie Etter, Shearsman, 2010 (Paperback, 211 pages)

ISBN 9781848610996

Available via the Bookshelf.

 

Wednesday 10th March, 7.30pm

The launch of Infinite Difference: Other Poetries by UK Women Poets, featuring:

  • Sascha Akhtar
  • Isobel Armstrong
  • Caroline Bergvall
  • Andrea Brady
  • Emily Critchley
  • Claire Crowther
  • Catherine Hales
  • Frances Kruk
  • Rachel Lehrman
  • Wendy Mulford
  • Redell Olsen
  • Frances Presley
  • Sophie Robinson
  • Zoë Skoulding
  • Harriet Tarlo

Swedenborg Hall, Swedenborg House, 20/21 Bloomsbury Way, London WC1A 2TH

Admission is free.

Thursday
Feb192009

Sascha Aktar Reading At Openned, 23rd July 2008

[wpvideo VUplqDlO] The poet Sascha Aktar is reading in this video. She was the poet that concluded the first half of the night. When she begins her reading she addresses a "Caroline" in the audience, this is the poet Caroline Bergvall. As per usual I don't seem to have any footage of the second half readers, Sean Bonney, John Wilkinson and Frances Kruk (I am really going to have to sort that out) which is a real shame because the second half readers were excellent. What is particularly pleasing, aside from Sascha's reading, is that there is a really great couple of moments at the end of the video, when Sean Bonney and Ulli Freer (who seems to have been at the reading although we could not contact him before) are clearly having some kind of a conversation about the performance space, talking about the wooden plinth, and some other deviousness no doubt... there is gesturing involved... I like it.

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