Search

Entries from May 24, 2009 - May 30, 2009

Saturday
May302009

The Arthur Shilling Press

The Arthur Shilling Press is intended to be a small press for the emerging innovative poets of England, creating chap books and pamphlets for non-profit distribution. It is run by the poet Harry Godwin.
Visit the site. via The Other Room

Click to read more ...

Saturday
May302009

Xing the Line

Thursday 4th June, 7.30pm

  • Cris Cheek
  • Peter Jaeger
The Leather Exchange, 15 Leathermarket Street, London Bridge, SE1 3HN Admission £5 / £3 (conc.)

Click to read more ...

Thursday
May282009

David Grundy

PDF (28KB) Audio (MP3, 48 sec, 752KB) Copies of the poems sound is material is and Ian Tomlinson by David Grundy were originally made available at the Openned Night, Wednesday 27th May 2009. Here is a PDF copy of both poems and a performance of sound is material is in audio format.

Click to read more ...

Wednesday
May272009

Rift Designs

riftdesignspress by Richard Makin Published: May 09 Publisher: Openned Press Format: PDF Price: £free View free: PDF (60KB)

Click to read more ...

Monday
May252009

American Poetry After 1975

This issue offers a wide-ranging survey of poetic practice in the United States since the mid-1970s. Comprising scholarship, essays, and poems, “American Poetry after 1975” brings together notable senior critics such as Al Filreis, Marjorie Perloff, and Herman Rapaport, as well as younger critics who are redefining the field. The issue looks at new directions in American poetry as well as contemporary trends such as conceptual poetry; multilingual poetry; ecopoetics, in which writing reaches environmental concerns; and Flarf, subversive poetry that uses search-engine results, grammatical inaccuracies, and intentionally bad taste.
Edited by Charles Bernstein, available from November 2009. Order here. via Al Filreis

Click to read more ...

Monday
May252009

ICA: Poor. Old. Tired. Horse.

Wednesday 17th June - Sunday 23rd August

Poor. Old. Tired. Horse. is an exhibition that takes an imaginative and expansive look at text-based art practices from the 1960s to the present day. In particular the exhibition is inspired by the example of Concrete Poetry, a movement that flowered in the 60s but which is now largely forgotten. Concrete Poetry explored the graphic potential of language alongside its poetic and literary possibilities, and so too do the works in this exhibition, which includes works by figures who emerged in the 60s alongside those of younger, contemporary artists.
See here.

Click to read more ...